ROOTED IN LEGACY
EQUESTRIAN ART COMPETITION
ART, HERITAGE & THE HISTORY OF THE BLACK JOCKEY IN PRINCE GEORGE’S COUNTY
The equestrian art competition brings together the work of talented Prince George’s County artists who answered the call to interpret and honor the legacy of the county’s jockeys. Each piece offers a unique perspective—capturing movement, resilience, excellence, and cultural pride through powerful visual storytelling.
From award-winning selections to a curated showcase of submissions, this exhibition reflects the depth of creativity within our community.
Guests are invited to explore each work up close, connect with the stories behind the art, and take home a piece that speaks to them. Select works are available for purchase.
About This Project
WINNING SUBMISSIONS
1st Place
I Am Worth It
Artist: Jovan Bethel
Jovan Bethel
I Am Worth It
2026, Drawing & Painting, 18” x 24” - SOLD
The riders in his lenses carry every mile he’s fought through, each stride a piece of his journey. The tear on his cheek is proof—quiet, heavy, and earned.
Jován is a multidisciplinary artist based out of Washington, DC, whose work carries stories, memory, and truth through every medium. Rooted in a deep commitment to storytelling, his practice lives at the intersection of identity, healing, and social change, where Afrocentric consciousness meets avant-garde expression. His work does not simply ask to be seen; it insists on being felt—an offering of both confrontation and care, shaped by the complexities of self-worth and the weight of societal expectation. Through painting, public exhibitions, and collaborative spaces, Jován has built more than a body of work—he has cultivated a platform where underrepresented voices are not only amplified but honored. In this space, art becomes a refuge, and resistance.
2nd Place
The Closer
Artist: Dion Pollard
Dion Pollard
The Closer
2026, Painting & Mixed Media Art, 48” x 60”, $16,000
An original mixed media acrylic painting on canvas. The piece is very 3deminsional in person. Sculpted elements on canvas.
Dion JAY Pollard, also known as the artist DionJa’Y, was born in Washington, D.C., into a life of poverty. He vividly recalls times when he and his brothers scavenged for leftovers in the Gino’s Chicken trash cans, as food was scarce at home. Dion often attended school with holes in his pants and shoes, which made him a target for teasing from his peers. However, the one thing that continued to inspire him was his artistic talent. DionJa’Y began drawing at the age of 7, but it wasn’t until he turned 13 that he truly honed his skills. One day, inspired by his brother's drawings from comic books, he decided to explore his own creativity.
DionJa’Y quickly excelled at drawing, transitioning from reproducing images to creating originals from his imagination with remarkable detail. Although he started with pencil, he soon explored various other mediums and discovered his passion for acrylic and oil paintings, pastels, as well as pencil and ink. He also dabbled in digital painting, using a digital stylus to express his artistry. DionJa’Y is captivated by the texture of oil and acrylic paint, the spontaneity of watercolors and inks, and the rawness of pencils and pastels. He eventually ventured into three-dimensional works that extend beyond the canvas.
DionJa’Y paints with the intention of inspiring those who experience his work. He seeks to bring positivity to the world through his art, portraying smiles in places of hurt and happiness amidst destruction.
3rd Place
Back In The Day… Black Horsemen Ruled Racetracks
Artist: Curtis Woody
Curtis Woody
Back In The Day…
Black Horsemen
Ruled Racetracks
2026, Mixed Media Art, 32” x 40”, $3,600
I create highly textured and intricately detailed original art pieces that are intended to breathe new life into and enhance the unique characteristics of a common historical heritage. My paintings are research-based collages and layers which are fabricated in a variety of ways. I work on museum boards that are painted, embellished, scratched, and merged. I used an assortment of found objects, old paper, historical fonts, and aged photographs combined with an assortment of artistic mediums.
Curtis studied Commercial Art and earned an Associate Degree at Thomas Nelson Community College in Hampton, Virginia. Since the 1980s he has focus entirely on his fine art career exhibiting extensively in countless juried art festivals on the east coast, the mid-west and in selected group exhibitions.
As a mixed media collage painter, Curtis draws inspiration from historical connection points that join together individuals, families, generations and communities. He creates highly textured and intricately detailed original art pieces that are intended to breathe new life into and enhance the unique characteristics of a common historical heritage. His paintings are research-based collages with layers fabricated in a variety of ways. He highlights impactful images and also pays close attention to minute details. He uses an assortment of found objects, combined with a variety of artistic mediums. The meaning of the attached elements often becomes clearer to him as they are assembled.
Curtis’ collage paintings are in corporate, government, museum and private collections in Africa, Europe and throughout the USA. He is a Prince George’s County resident with a 50-year long career of creative pursuits. Curtis is presently represented by Zenith Gallery of the Nation’s Capital and Gallery Serengeti in Capitol Heights, Maryland.
FEATURED SUBMISSIONS
Ahmed Alkhariki
Colorful Horse Race
2026, Painting, 26” x 30”, $3,900
Horse racing is the soul that knows beauty, that carries music deep within and the colors of sunset in its handkerchief, that can dance on a blazing world and make the world dance with it. I don't have one favorite place, but I love being near water—watching it flow contemplatively and listening to its music. Being near water is my refuge of peace and quiet.
Ahmed Alkhariki
Colorful Horse
2026, Painting, 26” x 30”, $3,500
Horse racing is the soul that knows beauty, that carries music deep within and the colors of sunset in its handkerchief, that can dance on a blazing world and make the world dance with it. I don't have one favorite place, but I love being near water—watching it flow contemplatively and listening to its music. Being near water is my refuge of peace and quiet.
Mary Claggett
Not Even Close
2026, Painting, 48” x 24”, $3,500
2 African American jockeys chasing Isaac Murphy.
Mary Claggett
The Last 2-Minute Lick
2026, Painting, 40” x 30”, $3,500
3-7 days before the big race you run the horse 1 mile in 2 minutes to see how the horse is pacing.
Joe (Jay) Coleman
The Winning Lap
2026, Sculpture, 18” x 5” x 18”, $8,000
bronze sculpture representing George " Spider" Anderson on Buddhist winning the Preakness in 1889
Kischenna Coley
Where Hooves Remember: Labor, Land, and Legacy
2026, Painting, Mix Media Art, Other, 18” x 24”, $400
This 18x24 mixed-media canvas explores agricultural labor in Prince George’s County, honoring Black, Indigenous (Piscataway), and mixed-heritage women whose work sustained land and equestrian economies across enslavement, emancipation, and post-emancipation life. Acrylic, crushed glass, textiles, and carved surfaces form a tactile landscape where land becomes archive. The work reclaims erased labor histories as foundational to the county’s agricultural and cultural legacy.
Lionel Daniels
The Race
2026, Mix Media Art, 36” x 48”, $3,450
A Black jockey leans forward in full stride, racing not just toward a finish line, but through history. Once central to horse racing, Black riders were later pushed out of the sport they helped build. In this piece, the figure presses on focused, determined, and carrying both legacy and loss. The quiet background holds space for a story often overlooked, reminding us that speed, skill, and spirit have always been part of Black excellence.
Amelia De silva
The Whisperer
2026, Drawing, 8” x 11”, $250
A quiet moment of connection unfolds between a young boy and his horse, away from the glare of recognition. The boy, dressed in simple work clothes, gently holds the reins, his focus and care evident in every line. This drawing captures the unseen bond and labor behind success—the dedication of the one who nurtures and trains, yet often remains invisible. It reflects how true winners are not always those in the spotlight, but those whose efforts are overlooked.
Kaylee Daryl
The Final Stretch
2026, Painting, 48” x 24”, $2,500
This striking equestrian painting captures a horse charging forward with momentum and grace. Heavy impasto brushwork and a rich palette create a sense of both physical presence and emotional intensity, resulting in a vivid celebration of strength, determination and energy.
Lamario Jackson
Jimmy and the Spider down the stretch
2026, Painting, 36” x 48”, $6,500
Artworks were created from the inspiration of the great black jockeys in the Prince George's County area. Artworks are created with Acrylic on Canvas using a unique technique to created the the perception of movement and grace. Each brush stroke was used to tell a rich history of the great black jockeys that competed against all odds and still came out victorious. The colors are vibrant and rich like the history of the black jockeys produce from the prestigious BelAir Stud Farm.
Lamario Jackson
Prince in BelAir
2026, Painting, 30” x 40”, $5,500
Artworks were created from the inspiration of the great black jockeys in the Prince George's County area. Artworks are created with Acrylic on Canvas using a unique technique to created the perception of movement and grace. Each brush stroke was used to tell a rich history of the great black jockeys that competed against all odds and still came out victorious. The colors are vibrant and rich like the history of the black jockeys produce from the prestigious BelAir Stud Farm.
Roger James
The Horse Jump
2026, Painting, 30” x 24”, $4,900
A young black equestrian woman rider horse jumping bars.
Arvid Lee
Crown of the Marlboro Rider
2026, Stained Glass, 21.5” x 26”, $2,200
This piece channels the refined discipline of equestrian life In the county. This is where legacy rides quietly beneath strength. The arched halo evokes both saddle and crown, honoring the often unseen mastery of Black horsemen who shaped Maryland's racing lineage. The lines bend with purpose, capturing elegance, control, and the unspoken bond between rider and steed.
Dion Pollard
Out Front
2026, Painting & Mix Media Art, 24” x 30”, $4,500
An original mixed median acrylic painting on canvas. Very textured piece of artwork.
Eugene Poole
Legacy In Motion
2026, Painting, 30” x 40”, $25,500
“Legacy in Motion” transforms Prince George’s County into a vibrant stage of memory and triumph. Three racehorses surge forward, led by a gold-clad jockey, with green and red riders flanking him. Golden horseshoes spark beneath them. A trophy, flags, water tower, mint julep, Belair Stud, and cityscape frame a powerful tribute to Black jockeys’ legacy, resilience, and excellence.
Mardline Prevot
Equestrian Roots
2026, Digital Art, 18” x 24”, $3,933
This artwork captures the profound equestrian heritage of Prince George’s County, illustrating a 330-year legacy that bridges historical triumph with modern artistic expression. The composition centers on a rider in mid-stride, framed by a laurel wreath that honors the county’s significant contributions to the turf, including historic Kentucky Derby victories in 1875 and 1902.
Curtis Woody
On Any Given Day
2026, Mixed Media Art, 32” x 30”, $3,600
I create highly textured and intricately detailed original art pieces that are intended to breathe new life into and enhance the unique characteristics of a common historical heritage. My paintings are research-based collages and layers which are fabricated in a variety of ways. I work on museum board that are painted, embellished, scratched, and merged. I used an assortment of found objects, old paper, historical fonts, and aged photographs combined with an assortment of artistic mediums.